The fashion in the Middle Ages In the early Middle Ages

That is, in the High Middle Ages, barbarian invasions led to seclusion and life in the fiefs, disintegrating the cities and practically extinguishing trade throughout Europe. Under these conditions, the garments passed to be produced artisanally, with natural fibers and in raw colors, becoming rare and exclusive, although extremely basic. The form resembled the Byzantines, and the elite, made up of warriors and priests, distinguished itself from the peasantry also through the garment, which was colored (usually red or green). The clothes were made at home, evolving from Merovingian robes (knee-length, embroidered at the ends and tied by belts) to the rich robes of the Carolingian era with brocade embellishments. As time passed, the peasants began to dye fabrics in blue tone, as this is easily achieved through urea. From the tenth century, with the end of the invasions and the commercial and urban reviva camisetas evangelicasl, there was the formation of craft corporations, among them weavers and dyers , creating a greater variety, that is, increasing the quantity and the quality of the clothes. With the development of cities and the reorganization of the life of the courts, the approach of the people in the urban area led to the desire to imitate. Enriched by commerce, the bourgeois began to copy the clothes of the nobles. In trying to vary their clothes, to differentiate themselves from the bourgeois, the nobles invented something new and so on. In terms of clothing, we can also speak of Romanesque and Gothic as valid styles. While Western Europe varied the forms of clothing, as we have seen, in contrast, Byzantine oriental culture has remained tied to its own style. With the Renaissance, there is an attempt to copy the Roman costumes of the imperial era but, due to the contingencies imposed by the time, what the guilds end up doing is a re-reading of the classic dress, adapting it to the Christian morality then in force camisetas gospel , to the climate (appreciably colder than it had been in Roman times [6]) and to the material and technical resources available at that time. Peasants, and fashions, continued to dress in much the same way until the mid-nineteenth century. Fashion in the Modern AgeMadame de Pompadour. An example of elegance in the Old Regime. The modern age is the period from the fifteenth to the eighteenth century. It is the so-called “Epoch of the Great Navigations,” a period in which America was discovered and the notion of a square-shaped world of the Middle Ages was abandoned … At the beginning of the Modern Age, there is a preference in European courts for red, More refined clothes wore this color. The method of dyeing used brazilwood, extracted in large scale in Brazil to attend this fashion. We can cite Queen Margot, a French film from 1994, with Isabelle Adjani in the title role, directed by Patrice Chéreau: in the first scene (Margot’s marriage to Henry of Bourbon, played by Daniel Auteuil) Margot is wearing a wonderful, red model , of satin, with a high collar and broad of income to frame the face to him; his mother, Catherine de Medici (lived by Virna Lisi), also uses a sumptuous model, to which not even the veil is missing. During the film, we see parade brocade (as in the magnificent model she uses to go to the streets, dressed as a prostitute), lace and silks, models with bold necklines, sometimes with high collars, inspired by the portraits of Rubens, Rembrandt, Velásquez and Frans Hals. Women usually wore wooden bodices, but it was coated in only one part. In the same historical phase (the so-called Revolution in Christianity), Elizabeth, an English film of 1998, also brings several copies taken from the images left by the great masters of painting of the time, British, also alludes to Hans Holbein, the official court painter of Henry VIII, Elizabeth’s father. They are dressed in “full bodied” and shiny fabrics in shades of red, yellow and green, with the so-called Corsican belly: the bodice ending in a beak at the front and the skirt opening voluminous to the sides. Men wear short (knee-length) trousers and buffers and a kind of “stuffing” to enhance the genitalia (a fashion launched in the days of Henry VIII, which he would like to pass on to posterity as a virile king). The costumes and scenarios of the coronation scene were inspired by a painting of the coronation of the real Queen Elizabeth I. [7] Also using the work of a great master of the period (this time Vermeer) was launched in 2003 by the United Kingdom and Luxembourg , Girl with Pearl Earring. This time we see not only the sumptuous dresses of the aristocrats and the interiors of the palaces, but also the bourgeoisie (who wear clothes that affect the general form of aristocratic dress, but are made with material of which